idle time. mining

I collected sounds at the Academy of Fine Arts Leipzig and surroundings of my daily life via an electromagnetic microphone. Sounds like electric hums, clicks, all forms of noises and screeches which are inaudible to our ears were ordered, arranged and composed as a soundscape to carefully listen in its interwoven ambience - omnipresent. I was researching [crypto]mining and exhibited it as an audio installation at Kunstverein Jesteburg in a former vault together with Valeria Schneider and Matteo Visentin.